Chicago City Wire

Informed by Chinua Achebe’s African Trilogy and Wole Soyinka’s poetry, Anigbo brings family migration, Igbo mythological themes, and pre-colonial realities in dialogue with the practice of everyday life. Whether capturing the vulnerability of her family through photography or accessing her ancestral home on canvas, Anigbo asks: what is the purpose of collecting memory outside of proving our legitimacy in a battle to fabricate a truth viewed as absolute?  Salem reimagines instruments used in healing rituals by historically oppressed and socially isolated groups of women to mitigate the anxiety and stressors during the radical societal shift after the oil discoveries and the pre-oil era in Kuwait. Through archives, oral stories, and personal memories, Salem traces this practice in the Arabian peninsula that originally came from the East African Diaspora to reactivate the musical sound and dance movement that welcome varied contemporary interpretations.

This exhibition sees the artists, both rooted initially in photography, expand their respective practices into new media such as fiber-materials, natural pigments, media installation, paintings, and performance. The complementary media draw visitors to the intersection of many lands, memories, and truths, ultimately connecting across the wounds, healing, and scar tissue of history.